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Symposium: 12–13 June 2026

‍Exhibition: 12.–14. & 18.–21. June 2026

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How do digital archives shape the ways we remember? Who decides what remains visible, what gets rewritten, and what disappears? And what happens when generative systems begin to reorganise the past through datasets, statistical models, and platform infrastructures?

The collaborative project Reclaiming Data is a symposium and exhibition that brings together artists, researchers, students, and cultural institutions to explore how artificial intelligence, digital archives, and data infrastructures are transforming collective memory. Across two days, the program moves between keynote, screening, workshops, panel discussions, performance, and exhibition, creating a space in which artistic, theoretical, and institutional perspectives can meet.

At its core, Reclaiming Data begins from the observation that today’s archives are no longer only institutions of preservation but increasingly operational systems: they sort, model, predict, and generate. In this sense, generative systems can be understood as inherently “nostalgic” technology. Trained on past data, they reconstruct patterns and produce synthetic versions of history. The project asks how these infrastructures shape historical consciousness, and how artistic and critical practices might intervene in them.

The symposium unfolds across three thematic trajectories. The first addresses the biases, exclusions, and political asymmetries embedded in datasets and platform systems. The second focuses on artistic and activist practices of reappropriation – from reverse archaeology to synthetic historicity. The third opens toward questions of commons, institutional responsibility, and community-oriented forms of archiving, asking how critical perspectives can be translated into concrete practice.

Alongside the symposium, the exhibition at UNIversum extends these questions into space. Bringing together artistic positions by Nora Al-Badri, Juan Covelli, Egor Kraft, Yagmur Uckunkaya / Artur Cipriani, and a live performance by Jiawen Wang, the exhibition explores archives not as neutral repositories, but as contested and constantly shifting terrains of memory.

We are particularly happy that Reclaiming Data has been integrated into the curriculum of the Master’s program Design & Computation and that students are actively involved through their studio work.

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Programme Overview

The symposium opens on Friday, 12 June, with a keynote by Roland Meyer, whose work on networked image cultures and generative image worlds sets the discursive frame for the event. This is followed by a screening of Afterlives by Kevin B. Lee, and an aftertalk with Orit Halpern, opening questions of historicity, mediation, and synthetic image culture.

On Saturday, 13 June, the day begins with three parallel workshops by Michael von zur Mühlen, Allapopp, and !Mediengruppe Bitnik, each approaching datasets, memory-making, and digital infrastructures through different practical methods.

In the afternoon, two panels bring together artistic and institutional perspectives. Panel 1 focuses on artistic forms of reappropriating digital infrastructures of the past, featuring Nora Al-Badri, Juan Covelli, and Egor Kraft. Panel 2 turns toward commons, community archives, and institutional practice, with invited Sara Morais dos Santos Bruss from HKW, Clemens Neudecker from Staatsbibliothek Berlin, and Lina Martin-Chan from Trust Support. The symposium closes with the roundtable “Where do we go from here?”, a reflection format that aims to translate the discussions into possible next steps, alliances, and practical perspectives.

Most symposium formats are open to the public.

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For the skill-sharing workshops (held in English), registration via Eventbrite is required due to limited capacity:

Memory Machines — LLMs, archival silence, and the politics of historical voice (Michael von zur Mühlen)
This workshop engages with AI-generated voices of historical resistance and asks how archival gaps and colonial absences are reproduced — or made visible — within such systems.
Register here

AI Sound and Cultural Memory — From Dataset to Performance (allapopp)
This workshop offers a practical insight into artistic sound work with AI and shows how small, situated datasets can be translated into sound and performance.
Register here

Unreal Data — Real Effects (!Mediengruppe Bitnik)
This workshop examines digital rating systems and their real-world effects in a critical and performative way. Please bring a laptop.

Register here

You can find more information about the full programme here:
https://koerber-stiftung.de/projekte/ecommemoration/reclaiming-data/

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Location

Flutgraben e.V.
Am Flutgraben 3
12435 Berlin
flutgraben.org

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Timetable

Friday, 12 June 2026

5:00 pm – Exhibition opening
Nora Al-Badri, Juan Covelli, Egor Kraft, Yağmur Uçkunkaya & Artur Cipriani, Minne Atairu, Nouf Aljowaysir

6:00–7:15 pm – Keynote: Roland Meyer
7:30–9:00 pm – Screening: Afterlives by Kevin B. Lee
9:00–10:00 pm – Conversation with Kevin B. Lee and Orit Halpern

Saturday, 13 June 2026

10:00–11:30 am – Skill-sharing Workshops
with Michael von zur Mühlen, allapopp, and !Mediengruppe Bitnik

12:00–1:30 pm – Panel 1
On Reverse Archaeology and Synthetic Historicity
with Nora Al-Badri, Juan Covelli, and Egor Kraft — moderated by Jonny-Bix Bongers

2:30–4:00 pm – Panel 2
On Commons, Community Archives & Institutional Practice
with Sara Morais dos Santos Bruss (HKW), Clemens Neudecker (Staatsbibliothek), Lina Martin-Chan (Trust Support) — moderated by Anna Kraher

4:30–6:00 pm – Roundtable with Vinzenz Aubry
7:00 pm – Live performance by Jiawen Wang

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Reclaiming Data is a collaboration by DOCKdigital, New Practice / Design & Computation, and Körber-Stiftungs’ eCommemoration programme, supported by Technologiestiftung Berlin as part of kulturBdigital and by Burg Hülshoff – Center for Literature, curated by Jonny-Bix Bongers.

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