This Loops session features artist Aram Bartholl, whose work examines how networked technologies shape public space, identity, and collective experience. Drawing from conceptual art, hacker culture, and urban intervention, Bartholl transposes digital icons—like emojis, browser windows, GPS markers, or surveillance devices—into physical environments. His installations and performances expose the invisible structures of the internet and reframe digital participation as something spatial, embodied, and deeply political. From Dead Drops to Hypernormalisation and Homa Smart Home, his practice confronts the aesthetics of control and questions how we live through platforms.
Aram Bartholl (b. 1972) is a Berlin-based artist working at the intersection of digital culture and public space. His work has been shown internationally, including at MoMA, Centre Pompidou, and ZKM, and is widely recognized for its critical engagement with the material and social dimensions of the internet.
Poster Design by Michelle Duong and Fernanda Braun Santos
This Loops session features artist Aram Bartholl, whose work examines how networked technologies shape public space, identity, and collective experience. Drawing from conceptual art, hacker culture, and urban intervention, Bartholl transposes digital icons—like emojis, browser windows, GPS markers, or surveillance devices—into physical environments. His installations and performances expose the invisible structures of the internet and reframe digital participation as something spatial, embodied, and deeply political. From Dead Drops to Hypernormalisation and Homa Smart Home, his practice confronts the aesthetics of control and questions how we live through platforms.
Aram Bartholl (b. 1972) is a Berlin-based artist working at the intersection of digital culture and public space. His work has been shown internationally, including at MoMA, Centre Pompidou, and ZKM, and is widely recognized for its critical engagement with the material and social dimensions of the internet.
Poster Design by Michelle Duong and Fernanda Braun Santos
Aram Bartholl brings digital culture into physical space, turning icons like emojis, GPS pins, and surveillance devices into installations that expose the hidden logics of the internet. His work explores identity, participation, and the politics of networked life.
This Loops session features artist Aram Bartholl, whose work examines how networked technologies shape public space, identity, and collective experience. Drawing from conceptual art, hacker culture, and urban intervention, Bartholl transposes digital icons—like emojis, browser windows, GPS markers, or surveillance devices—into physical environments. His installations and performances expose the invisible structures of the internet and reframe digital participation as something spatial, embodied, and deeply political. From Dead Drops to Hypernormalisation and Homa Smart Home, his practice confronts the aesthetics of control and questions how we live through platforms.
Aram Bartholl (b. 1972) is a Berlin-based artist working at the intersection of digital culture and public space. His work has been shown internationally, including at MoMA, Centre Pompidou, and ZKM, and is widely recognized for its critical engagement with the material and social dimensions of the internet.
Poster Design by Michelle Duong and Fernanda Braun Santos